A year in review

2018 is the year I didn’t write.

Or read, really.

2018 is the year I had emergency surgery to deliver my fourth child, a gorgeous son we named after a comic book character.

I guess I’m extra like that.

2018 is the year I accepted I don’t really understand the current slang “the kids” use.

I use it anyway… sparingly.

2018 is the year our new business nearly lost us our house.

It’s also the year we were able to pay for a week long trip to Hawaii for four (five, if you count the baby). I can’t wait – we leave in a few weeks. A proper vacation? I’m giddy.

2018 is the year I didn’t get my book finished. The year I didn’t update about it. The year I promised to write, read, review, beta read… and couldn’t do it.

I’m sorry.

I think it’s the hormonal birth control I’m on. Making me more anxious, more depressed, even as our financial circumstances are turning around. It’s also made me gain a ton of weight while breastfeeding which has never happened to me before. But the anxiety made me unable to call to get it removed until this week, even though I knew what the problem was.

Sorry, I know I’m oversharing.

2018 is the year my mother-in-law had another stroke, surgery, and we thought she wasn’t going to make it.

It’s also the year we helped her get a realtor (after the medical emergencies) and make offers on a few houses. No new house yet, but it’s a new year!

2018 was better than 2017.

2019 will be better than 2018.

2019 is the year I’ll finish my book and turn it in to the publisher.

2019 is the year I will read more.

2019 is the year I will find my creative spark again.

2019 is the year I turn 40.

It’s now, or never.


Nerdist Contest Week Two


It is just past the end of the second full week of the Inkshares/Nerdist science fiction novel contest, and my entry, Mutants: Uprising, is tied for second (so technically in 2nd, alphabetically). I spent a good part of the week in third, and then yesterday was TIED FOR THIRD with two other books, but a surge of support put me up, and here we are today.

Needless to say, without continued support from YOU (and you, and you too) we won’t be able to stay in the running. Mutants: Uprising was nominated for a couple Inkshares Syndicates (like book clubs who order books to support them) this month, and I am hopeful that I might get at least one to back me. It would be an immense boost to my campaign!

Less than four weeks to go. Never give up, never surrender!

never give up


Second Person Narrative

You won’t often find a story written in second person. I chose to write my science fiction novel “Mutants: Uprising” in second person, but usually I write in third person, or first. The author picks a point of view that best serves their story, as you can invoke different feelings and reactions from the reader with each.

First person narrative is what you use when you want your main character to be the narrator of the book. They are personally relating the story to the reader in some fashion, and the author can ONLY tell you what the main character is feeling or seeing.

Example: I ran down the street, my flip-flops slapping the pavement noisily, trying to memorize the license plate before the car drove out of sight. As it turned the corner, tires squealing, I skidded to a stop, gasping for air like a fish. Why don’t I exercise more?! “I only got the first four numbers,” I said, turning to Sarah, who somehow looked fresh as a daisy despite running after me. “Did you do any better?” She shook her head.

Third person narrative will allow you to enter the head of one or MORE characters – third person limited means you are still experiencing the story from the POV of one character, but you can also write in third person omniscient, which means you can reveal the thoughts and feelings of every character whenever you like. Many books, like George R. R. Martin’s A Song of Ice and Fire series, will use third person limited but ALSO switch characters in every chapter. So for one chapter you are experiencing Main Character 1, and the next you’re switching to Main Character 2, et cetera.

Example: She ran down the street, her flip-flops slapping the pavement noisily, trying to memorize the license plate before the car drove out of sight. As it turned the corner, tires squealing, she skidded to a stop, gasping for air like a fish and bemoaning her fitness level. “I only got the first four numbers,” she said, turning to Sarah, who somehow looked fresh as a daisy despite running after her. “Did you do any better?” Sarah shook her head.

Second person narrative puts the READER in the action. The reader becomes the main character, and the story becomes more immediate and urgent than First or Third person. You will find this POV used most often in Choose Your Own Adventure books. I wrote Mutants: Uprising in second person because I wanted to invoke that feeling of a CYOA book, and let the reader really get involved in the story.

Example: You run down the street, your flip-flops slapping the pavement noisily, trying to memorize the license plate before the car drives out of sight. As it turns the corner, tires squealing, you skid to a stop, gasping for air like a fish and cursing your fitness level. “I only got the first four numbers,” you say to Sarah, who still looks as fresh as a daisy despite running after you. “Did you do any better?” She shakes her head.

I hope this helps you understand the different point of views a little better. 🙂

Nerdist Contest Week One

Hello all!

We are one week into the Nerdist Science Fiction contest, and Mutants: Uprising (billed as X-Men meets Call of Cthulhu) is holding steady in 2nd place. This is awesome, but other entrants are right on our heels, looking to dethrone us! Order counts are low all around right now, and YOUR preorder could make a huge difference in this contest. There are just a few more weeks in the contest.

So, what is “second person”? Usually books are written in first person (I went to the store and dropped my groceries in the parking lot) or third person (She went to the store and dropped her groceries in the parking lot). Second person puts YOU right into the action (You went to the store and dropped your groceries in the parking lot). Mutants: Uprising is written in second person present tense, immersing you in the world and giving the narrative an immediacy that you’re not going to find in another book.

I wrote up a new synopsis for the story:

Mutants: Uprising is a second person POV novel about humans with super-human abilities trying to overcome the shadowy organizations that want to control them. The story centers on Jane “Zombie” Meyers, a relatively new leader of an underground cell of the League of Mutants, a terrorist organization, who is trying to make a name for herself while rising above her enforcer roots. Along the way she uncovers a plot against the pregnant founder of a second-chance shelter for homeless mutant teens, and has to work hard to save her from harm, figure out what the ulterior motives of her enemies are, all while earning the other woman’s trust. Oh, and there are horrors from other dimensions trying to break into ours, and state governments who want to register all mutated humans “for the greater good.” All in a day’s work.

See Jane. See Jane Save the Day.

>>Preorder here!<<

Thank you for your time! Have a great day!

What’s that? Another contest? Ok!

Inkshares has partnered with Nerdist for another sci-fi book contest. It’s a short one, just two months this time, and the top three books will get the full publishing treatment from Inkshares!

I have a science fiction story already in first draft form, so I decided to enter the contest! I have nothing to lose, and who knows, Nerdist has been known to pick their book from below the top three.

At the moment, I am in first place! Please check out


and follow it, read some, and think about preordering! As always, if the campaign is unsuccessful all preorders will be refunded. Unlike Fae Child, I won’t be lengthening the campaign to reach funding on my own after the contest. SO – this is it. Two months to get as many Readers as we can! (Proof that I’m insane, too, maybe!)

on characters

Some might say that a good plot is the most important thing in a book. And don’t get me wrong, the plot is important. In a mystery, or a crime novel, you have to be able to construct a good central ‘case’ for your characters to navigate, one that makes sense, and the conclusion can’t have your Reader throwing the book across the room. Or, it can, I suppose it depends on what sort of reaction you really want to create.

All books have a plot of some kind, if it’s a case to solve, or a hero’s journey to save the kingdom, but in order to tell the story of the Quest, you need a Character to take it on. Your book is going to live or die according to how well you can create a character. Your plot could be flawless, but if you populate your book with two dimensional people you’re not going to have much at the end of the day.

So, let’s talk about characters. Your character should have the strengths that she needs to get through the book, without swinging too far into “Mary Sue/Author Insert” fantasy fulfillment territory. If your main character, or any character, has no flaws, then they’re not a realistic person. Everyone has regrets, weaknesses, and personality flaws/quirks. I’m not talking about a YA heroine who “doesn’t know how pretty she is, and is oh so clumsy and awkward yet somehow also graceful” – I’m talking about a character who feels real.

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Not on MY watch…

Once upon a time there was a friend. This friend asked me to join a contest, and I didn’t think about it too much and just did it. First mistake: had I known what I was getting into, I would never have pulled the trigger on Inkshares in August ’16 and started the journey that culminated in a publication deal in March ’17.

Second mistake: She asked me to join another contest, this one a flash fiction writing contest from Sci-Fi-London (the 48hr Flash Fiction Challenge), and I did that too. On April 8th I opened the site to view my story requirements. A title, a line of dialogue, and an optional bit of science. The maximum word count was 2,000 words, and I had just two days to write it in.

Except I worked all day on Sunday, so I really had just one day. And then I knew that in all honesty I probably just had Saturday morning to write it. The good news was I already had a pretty good idea what I wanted to put to paper. I popped open Scrivener (worth it’s weight in gold), wrote out descriptions for about seven story points, and then just…


I finished up a little over 2k words before noon, trimmed it down, sent it to some friends to read, edited the mistakes, and then sent it off. I’m not sure how I got that word count done so fast, but my brain was sizzling with ideas and I just let it get on with it.

Dialogue When the clouds are this low it can be a nightmare to get a clean signal
Science (optional) Augmented reality becomes so good we neglect reality, when the system to fails, the decay is revealed.

And now YOU can read it! I published the short story through Pronoun, making it available for free on all major ebook retailers’ sites, and you can access it here: NOT ON MY WATCH.  If you download it, please rate and review it! It’s only 8 pages, so it shouldn’t take you long at all. Every review or rating helps boost it’s status among other ebooks, and in return gives my author page more recognition, and all of this will help me when Fae Child comes out.

I don’t know if I’ll win the Sci-Fi-London contest, but hey, stranger things have happened? And those things I listed as mistakes at the beginning of the post? Actually they were probably the best decisions I could have made, regarding my writing. Thank you Jenny!

Meanwhile, on Coruscant [pt 3]

[written in 2012, “Meanwhile, on Coruscant” is a collection of short vingettes that take place on Coruscant during the timeline of the Star Wars movies, and beyond. They do not hold to existing Star Wars canon past the first trilogy, but I found it a very interesting exercise to explore things from the perspective of the common man. This is Part Three.]


The employment line was out the door again. Dana wanted to turn around and head back home, but she’d already arranged for the girls to be watched by their neighbor for the day and they needed the money. As she settled in at the end of the line she leaned against the brick facade of the building and let the gossip flow around her.

“Didn’t you hear? The Emperor is dead.”

“No, no. No way! Iz impozzible! Zere waz none announcement.”

“Yeah, ’cause that’s something they’ll be telling us right away. ‘Oh yes, the symbol of our Imperial might, Emperor Decrepit-ness himself was killed by the Rebels! Everyone go about your business!'”

“Well, zey would not be zaying it like zat. But ztill, it iz true? He iz dead?”

“Overnight. The Empire was rebuilding the Death Star – the space station that was supposed to bring peace in our time, remember?”

“How could I forget zis? Not zo peazeful for Alderaan I am thinking. But go on.”

“Yeah, same old bullshit, right? Something so terrible that no one will dare rebel anymore, blah blah blah, but they still are rebelling, and they damn well blew the fuckin’ thing – sorry, my language -”

“It’z okay.”

“- blew it sky high. Or whatever they call it in space. Endor system, I think that’s where they were constructing it.”

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Meanwhile, on Coruscant [pt 2]

[written in 2012, “Meanwhile, on Coruscant” is a collection of short vingettes that take place on Coruscant during the timeline of the Star Wars movies, and beyond. They do not hold to existing Star Wars canon past the first trilogy, but I found it a very interesting exercise to explore things from the perspective of the common man. This is Part Two.]


“Get yoor hands offa me,” Zizzy hissed, lekku twitching out an obscene exclamation mark to her words. “I am naught yer plaything.” She slapped away the offending hands, the Human snatching them back with a curse.

“Get back to Invisec where you belong,” he said with a sneer. “We don’t like your kind around here.”

“Yoo liked me plenty good when yoo thaught yoo could feel me up,” the sixteen year old retorted. She pressed the recall button for the turbolift again, and then again, as other people were starting to take notice of the scrum. Zizzy thought about the vibroblade tucked away behind her back on her belt and was just about to reach for it when someone grabbed her shoulder. She jerked away roughly, and then punched the offender in the gut.

“Gah! Zizz… it’s just me.” Silus Ordona wheezed, practically doubled over from her fist. “Aahhh, what have you done to me?”

The ‘lift doors opened and she took his elbow and towed him inside with her, mashing the ‘close doors’ icon until they did. “Oh my gods, I am sorry Silus. I thaught yoo were -,” she blushed purple, and tried to help him stand up straight. He waved her off weakly. “Just, sorry.”

“It’s okay,” he said after a moment, testing a more upright position. Silus rested his hands on his knees and took a deep breath before straightening completely. “I saw that creep, I just wanted to help you out.”

“Ha,” she replied, “Yes, I think yoo did help. No one messes with the crazy Twi’leki bitch tooday, look what she did too her friend!” Zizzy patted Silus lightly on the stomach. “I am sorry. But also glad I didn’t have my blade in my hand.”

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